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                  <text>Nacionalna i univerzitetska biblioteka Bosne i Hercegovine</text>
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                <text>Bosnische Volksmärchen</text>
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                <text>Godine 1905. izdavačka kuća A. Edlingers Verlag iz Innsbrucka objavljuje knjigu  Milene Mrazović pod naslovom Bosnische Volksmärchen, a koju je ilustrirao poznati umjetnik Ewald Arndt. U ovom izdanju nalazi se petnaest narodnih priča koje je autorica izabrala kao najljepše iz svoje bogate zbirke, Uvodnu riječ za knjigu napisao ugledni filolog Vatroslav Jagić pod naslovom An Frau Milena Preindlsberger-Mrazović in Sarajevo (Gospođi Mileni Preindlsberger-Mrazović u Sarajevu). </text>
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                <text>Milena Preindlsberger-Mrazović </text>
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                <text>Illustrationen von Ewald Arndt</text>
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                <text>Innsbruck : A. Edlingers Verlag</text>
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                <text>Nacionalna i univerzitetska biblioteka Bosne i Hercegovine</text>
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                <text>knjiga</text>
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                <text>COBISS.BH-ID - 26173702</text>
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                  <text>Historijski arhiv Sarajevo</text>
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                <text>Četrnaesti pano izložbe "Femme Archival - Ženski glas iz Arhiva"</text>
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                <text>Izložba, arhivska građa, Laura Papo Bohoreta, rukopisi drama&#13;
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                <text>Laura Papo Bohoreta, Sefardska Jevrejka, bila je prva žena koja je pisala i producirala dramske tekstove u Sarajevu toga vremena. Obrazovana žena za svoje vrijeme, govorila je nekoliko jezika, svirala klavir, Laura Papo bila je čuvar sefardske kulture i tradicije, jer je kroz svoje djelovanje pokušavala da sačuva i popularizira maternji jezik – Judeo-Španski ili Ladino, kako bi se prenio budućim generacijama.  Na panou se mogu vidjeti dijelovi njenih rukopisa: &#13;
Drama Esterka je jedna od nekoliko socijalnih drama koje je Bohoreta napisala, a kroz koje njihovi ženski likovi najbolje ocrtavaju teme karakteristične za stvaralački opus Bohorete, odnosno, njenu percepciju feminizma, kroz koje ispoljavanje ona staje u odbranu ženskih prava na obrazovanje i rad. Uz afirmaciju ženskih prava, tu je naglašen i socijalni momenat, odnosno, prikazujući događaje u drami i likove koji učestvuju, dobijamo sliku društvenih problema toga vremena, kada se efekti svjetske ekonomske krize tridesetih godina 20.og stoljeća snažno osjete i u Bosni. Svi ovi elementi su prikazani kroz specifičan kulturni milje sarajevske sefardske zajednice sa njenim običajima, navikama, manirima, jezikom. Pozorišni komad Esterka izvođen je više puta u Sarajevu, ali i u Beogradu, a izvodila ga je Jevrejska radnička omladinska zajednica „Matatja“ iz Sarajeva;&#13;
Ožos Mios / Oči moje – Komad iz sefardskog folklora iz Bosne, misli i sjećanja posvećena našim bakama. Ova drama se igrala u Narodnom pozorištu u Sarajevu u oktobru 1931. godine, igrala je diletantska grupa „Matatja“, a oglašeno je u „Jevrejskom glasu“. Djelo se može shvatiti kao tragikomedija, sa zapletima koji su jednostavni i zabavni, ali istovremeno i tragični. Bohoreta je učestvovala u postavci na scenu i ove drame. U tekstu se pojavljuju skice scena s jasnim uputima o organizaciji prostora, predmetima na sceni i postavci likova što namgovori da je Bohoreta ne samo napisala komad, nego učestvovala i u njegovoj scenskoj izvedbi, a ujedno je pratila na klaviru scensko izvođenje romansi u predstavi;&#13;
Shuegra ni de baro buena – Ritrato social de nuestros dias, Dedicado a Šalom Daniti / Svekrva ne valja ni od ilovače – Društvena slika iz naših dana, posvećeno Šalomu Daniti;&#13;
La pasensia vale mućo – Estampa de folklor del tiempo turko. En un akto Laura Papo, Tiempo: noće de alhat el 7 abril 1934-10 abril 1934 / Strpljivost vrijedi mnogo, Folklorna slika iz turskog doba u jednom činu. Ovo djelo nema radnje, nego se prikazuje svečano sijelo u kući Judači Amara, jorgandžije na blagdan alhata. Pjeva se blagdanska pjesma. Razgovori, šale, zadirkivanja, pjesme;&#13;
La mužer Sefardi de Bosna - A la 'Benevolencia' valerosa amiga del progreso, Laura Papo Bohoreta / Sefardska žena iz Bosne – Posvećeno 'La Benevolenciji' vrijednoj prijateljici napretka,&#13;
Ovo djelo Bohoreta je napisala kao rezultat inspiracije koju je dobila odgovarajući još 1917. godine na uvredljiv članak Jelice Bernadžikovske „Die sudslavische Frau in der Politik“objavljenom u časopisu Bosnischen Post. Svoj odgovor, članak pod naslovom „Die Spanolische Frau in Bosnien“ Bohoreta je napisala također na njemačkom jeziku, da pokaže šta je žena Sefartkinja. &#13;
&#13;
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                <text>Autori izložbe: Almira Alibašić i Elma Dervišbegović, Dizajn panoa: Velid Jerlagić</text>
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                <text>JU Historijski arhiv Sarajevo</text>
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                <text>9.-17. juni 2025.</text>
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                <text>This work is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0)</text>
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                <text>Sarajevo, Bosna i Hercegovina, 2025.</text>
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                <text>Četrnaesti pano izložbe "Sjećanje na Miss Irby"</text>
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                <text>Obilježavanje godišnjice smrti Adeline Pauline Irby (1831–1911)</text>
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                <text>Četrnaesti pano donosi tekst o preminuloj Miss Irby iz časopisa &lt;em&gt;Učiteljska zora &lt;/em&gt;u rubrici &lt;em&gt;Iz ženskoga svijeta&lt;/em&gt;. Tekst je preuzet iz knjige Jovana Ivaniševića, &lt;em&gt;Srpsko-pravoslavno školstvo u Bosni i Hercegovini.&lt;/em&gt;</text>
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                <text>Autor izložbe: Anja Mastilović; dizajn panoa Vildana Bratić</text>
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                <text>Učiteljska zora, br. 8 (1911), str. 251</text>
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                <text>15. septembar 2025</text>
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                <text>This work is licensed under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 International License</text>
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                <text>Srpski jezik</text>
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                <text>Sarajevo, Nacionalna i univerzitetska biblioteka Bosne i Hercegovin, 2025.</text>
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                  <text>Univerzitet u Tuzli</text>
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              <text>Miralem Dautović i Mirza Mahmutović</text>
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                <text>Digitalni format serijskog karaktera, kreiran za društvene mreže (Instagram i Facebook), namijenjen mlađoj publici (Z generacija). Video nastao kroz saradnju Univerziteta u Tuzli, Arhiva Tuzlanskog kantona i Radio-televizije Tuzlanskog kantona. Priča afirmiše ulogu prvih žena ljekara u Tuzli i predstavlja primjer dobre institucionalne saradnje.</text>
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                <text>Franjo Maćejovski (26. mart 1871., Nechanice, Češka - 16. april 1938., Sarajevo), bio je češki kompozitor i dirigent koji je djelovao i u Sarajevu. Četvrti pano donosi eksponate o obilježavanju 25 godina njegovog umjetničkog rada u Bosni (dokumenti-čestitke i program proslave).</text>
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                <text>This work is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0)</text>
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                <text>Sarajevo, Bosna i Hercegovina, 2024.</text>
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                <text>15. septembar 2025.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>This work is licensed under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 International License</text>
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                <text>Sarajevo, Nacionalna i univerzitetska biblioteka Bosne i Hercegovin, 2025.</text>
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                <text>Četvrti pano, izložba, javno zdravstvo, žene ljekari, Anna Bayerová, Teodora Krajewska, Jadwiga Olszewska, Tuzla</text>
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                <text>Jelica Belović-Bernadzikowska bila je svestrana i inteligentna žena koja je kroz svoj pedagoški, etnografski, književni, prevoditeljski, novinarski rad, kao borac za prava žena također, ostavila trajno sjećanje na svoje postojanje i djelovanje. Na ovom panou se mogu vidjeti dokumenti iz fonda o Bernadzikowskoj: stranice iz njenih memoara kao Jelice Belović Bernadzikowske (Ljube T. Daničić) u rukopisu, pismo na njemačkom jeziku od hrvatskog književnika Vladimira Tresića Borote, pismo Stevana Radića, tajnika Ženske dobrotvorne zadruge iz Srema u kojem odaje priznanje Jelici B. kao „prvoj književnici među svojim drugama na slovenskom jugu, koja ste sa svojim književnim radovima, te svojom iskrenom ljubavi prema rođenoj braći Hrvatima i Srbima, koja provejava svaki vaš rad, stekla priznanje i ljubav...“, posebno hvali njezin rad o narodnim vezovima, Kratko pisanje Jelice Belović kao desetogodišnje djevojčice: „Svaka ptica...“ ,  slika Jelice Belović Bernadzikowske u narodnoj nošnji sa sinom Vladimirom, itd.</text>
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